BOOKS| OTHER | PORTFOLIO | CONTACT

5/31/11

The National Gallery, London England


William Wilkins was chosen over famed architect John Nash to design the London National Gallery , England's answer to France's "temple of the arts." As such, it was the subject of fierce debate over Classicism and the more innovative post-Gothic styles. Before its opening in 1835, Pugin blasted this project as degenerate. Sir John Summerson called the dome arrangement: "clock and vases on a mantelpiece, only less useful"

Renovations brought the style to a more contemporary aesthetic as some rooms were minimalised and some rooms were lavished. The Sainsbury wing in 1991 relinquished most ornamentation yet retained the mimicry of post-Classicism. Robert Venturi's post-modern addition did little to vary from the building's original intent, though Prince Charles called it "a monstrous carbuncle on the face of a much-loved friend."

More Info and Images , NYT Review , Video








Westminster Park Plaza Hotel, London England


BUJ architects and Uri Blumenthal architects designed the Park Plaza Westminster Bridge London, completed in 2010. The South Bank hotel has 1,200m2 of space, with a spacious ballroom, 31 meeting rooms, bars and restaurants, and lounges. It has a total 1,019 rooms. The LED grid pattern at the entrance continues at the ground floor lobby, with two large LED walls on either side of the staircase. The check-in desk glows orange with red glowing patterns behind it. This emhapsis on swanky lighting fills the hotel.

Natural light takes on a similarly synthetic nature as it is filtered through different colored shades of glass. These devices portrude from the curved exterior and suggest that the hotel's mission of synthetic comfort extends to the entire city. Just minutes from key downtown locations, it suggests a modern change to the nation.

More Info and Images , More Info and Images
Video: Inside , Promotional









5/30/11

Barton Arcade, Manchester England


Corbett, Raby and Sawyer built the Barton Arcade in 1871, a modern Victorian shopping centre of cast iron and glass. The Milan Galleria was a big influence on this cutting edge civic space. The octoganal dome in the center is 106 ft high. The rich iron work was created by the Macfarlane’s Saracen Foundry in Glasgow. As arcades were popular venues at that time all around Europe, the architect for this project was Italian, the engineer French, and the sponsor British.

It has four floors with balconies overlooking the central street. St. Ann Square runs into the white painted front of the arcade. The original floor and shop fronts were never restored. The craze that followed the completion of the Barton Arcade fizzled as people viewed such a commercial venture as impractical... until the strip mall came along.

More Info and Images , More Info






Channel 9, Docklands Melbourne Australia


Metier 3 Architects and Meinhardt consultants designed the facade for 717 Bourke Street in Melbourne's Docklands. The 17 floor building is 17m high and is joined by a pedestrian bridge and garage park. Fins project from the facade with a special frit pattern. Several floors tilt in opposite directions. This is only a facade effect, however, as the inside structure is a normal steel truss system. Its sustainable design earned it a 4 star green rating. This project was completed late 2010.







5/28/11

The Next Technology Revolution: Cloud Network


Powerful computing on your weak mobile device is a short step away. It’s called cloud computing, and it can do so much more than what we have today. Cell phones will become thinner and much more powerful as this technology is developed.

With cloud computing, a mobile device sends a task to a service provider, which relays it to a powerful distant computer, and then that computer computes it and sends it back. Software is already available that lets you browse your home computer as you sit on a plane at the airport. A cell phone only needs to be powerful enough to send and receive information over a local area network.

There are two things holding back the extent of this technology. First, the infrastructure couldn’t handle it if everyone were constantly uploading and downloading massive amounts of information. Wireless networks are still being upgraded and wireless providers haven’t stepped up to provide this service. Second, there is a limited wireless speed and the laws of physics can’t be broken. The API needs to somehow break up and reassemble tasks quickly, like a torrent. If a difficult task, such as a video game, were broken up into a hundred pieces and sent over a hundred different wireless connections, all the computing could be achieved far away and relayed to a razor-thin cell phone. The challenge is to quickly and easily break up this information and relay it.

Image, you open up an app on your phone that says ‘Home Computer.’ Within seconds your phone uses a wireless network to access your home computer. It verifies your Home Computer signature, and logs in with your username, password, and certificate. Your home desktop appears on your phone and you click on the icon that says ‘Wow.’ Instantly you are playing World of Warcraft with the same speed as your home computer.


But that’s just the beginning of what cloud software could do. All your music, documents, images, and videos could be saved on some Verizon computer somewhere and you just access it anytime you want. The phone would have a small memory and small computing capacity, so more could fit into it, and it would be cheaper. Networks of mobile devices could be guided by a single powerful computer.

Cloud software today is ridiculously difficult to use. It needs to be practical enough that a person just presses a button and they see their home computer desktop. Device makers haven’t even touched on the possibility of using a severs’ supercomputers to compute the cell phones’ tasks. Cooperation between wireless network providers and cell phone services could make it easy. A device’s signature is recognized and approved on the internet network because of some agreement between the two companies. The wireless network provider keeps track of how much bandwidth gets used and the cell phone service is charged accordingly.

Payment for the wireless network could thus be provided by the user’s phone service. If you use the airport’s wireless network with a Verizon phone, then Verizon pays the airport for how much bandwidth you used and you pay back Verizon. It’s as simple as that. A signature for each phone service provider and for each wireless internet provide will have to quickly and easily be verified, and secure.

There are only four things that need to be accounted for to keep a private network secure. First, the cell phone needs to be sure that it is the actual home computer and not some phished counterfeit. The home computer therefore sends a token to prove it is genuine. Second and third, the username and password. Fourth, the cell phone sends a certificate to ensure that it is authentic. This whole verification process could be quick, all saved and pre-filled out unless the owner wants to be extra secure and type out the password each time.

The boom in wireless communication with cloud computing needs an enormous infrastructure behind it. Cooperation between wireless providers and cell phone services is the only practical way for this technology to reach everyone. Engineers need to develop a way for a tiny device to transmit a large amount of information. A torrent’s method of splitting up tasks and reassembling seems to be the answer.

Cloud Gate, Chicago Illinois


British artist Anish Kapoor designed the Cloud Gate "Bean" in Chicago's sculpture area of Millennium park. Frank Gehry's Pritzker Pavilion and Plensa's Crown Fountain are reflected alongside the world's first skyscrapers. Stainless steel plates were polished to create a perfectly seamless drop of metal. The curved reflection introduces a startling perspective of how the sky meets the city's skyline. The greenery of the park in the city adds a further dimension to a warped reality. Buddhist beliefs of immateriality inspired a theory of ambiguity, and Kapoor implied a tension between masculine and feminine from the concave forms.

The 33x66x42ft structure was completed in 2006 at a cast of $26 million, all from private donations. The impossible-looking finish was achieved in five stages. Welded seams were removed with an electric grinder, weld contours were shaped with a belt sander, weld contours were smoothed with a belt sander, scratches were removed with a double action sander, and then the surface was buffed to a mirror with a large buffing wheel.

More Info and Images , More Info , Time-lapse video








Video: Bjarke Ingels' Evolution In Architecture

A showy presentation, not very deep. But he touches on some interesting subjects. His method behind Mountain Dwellings is surprisingly simple.

Wetzlar Cathedral, Wetzlar Germany


The Wetlzar Dom was established by the Franks as early as 897 AD. This basilica was replaced by a the High Gothic structure that stands there today, which was expanded over the next centuries. It is one of the oldest churches in Europe and integral in the history of Christianity and the reformation. Considerable restoration had to be done after the damage of World War 2. The exterior appearance and interior space are dark and sinister, largely because of poor restoration, but it gives a hint of what cathedrals actually looked like in the Gothic era. The front tower is particularly unique from other churches. Here are some photos I took and an engraving by C. Guisse in 1800.

More Info and Images




5/27/11

Villa Savoye, Poissy France


Le Corbusier and Pierre Jeanneret designed and built the Villa Savoye residence in 1931. It contains all the points of Corbusier's ideal modern structure and still stands on the outskirts of Paris. The five tenents of the international style are:
  • Pilotis columns elevate the building above the earth so that garden outdoor space can extend beneath.

  • Gardens and terraces on the roof make an otherwise useless space functional.

  • Columns support the structure so that walls can freely be placed anywhere on the floor plan

  • Ribbon windows extend horizontally to illuminate and ventilate the interior

  • Exterior facades are free from bearing loads to open up design considerations

White surfaces were another trademark of modernists. Strict adherence to these tenets caused architectural disasters, such as the thousands killed in African colonies because their pilotis structures toppled from earthquakes. But Corbusier carefully molded this house within its context. Openings were positioned to capture solar gain. The plan was formed from the Golden mean and positioned to accommodate views of the countryside. The new automobile was considered as the method of approach. Ramps led up from the servant's quarters on the ground floor to living quarters, and then up to the roof. Winding stairs are likewise positioned carefully. Timber, masonry, and metal textures were carefully chosen for detailing. Windows become dominant in some places and walls only used to shade too much direct sun.

If the residence looks more like an office building than a house, that's because the Villa Savoye became a model for working structures rather than houses. Some points have been lost, like the rooftop solarium, but the ground-floor garage, ribbon windows, open plan, and rational approach has been embraced in many kinds of structures.

More Info and Images , More Info , More Images
Video: Tour (1) , (2) , (3) , (4)