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7/30/11

Monticello Thomas Jefferson, Charlottesville Virginia



The Thomas Jefferson Estate Monticello was built by Jefferson himself. A self-taught scholar of Neoclassical Palladian architecture, the famous author of the Declaration of Independence also designed the University of Virginia. This plantation's image appears on the United States nickel and two dollar bill, and played a dominant role in early American architecture.

The south-facing layout follows classic principles. Arcaded balconies extend from the eastern and western ends, conveniently giving shade from the hot sun on either end. Jefferson used the same kind of arcaded balconies with living quarters below to wrap around his University of Virginia rotunda. Rainwater collection systems for these raised balconies compensate for a site low on well-water. Nearby Mulberry Row provided a rational layout next to vegetable gardens for slaves' living quarters.

Jefferson took home remodeling ideas from his governmental trips to France in 1784. He added an octagonal dome in the back, extended several more public rooms to second story height with skylights, and introduced beds in spaces knocked out of the thick interior walls. Space was tightly organized. Maps, art, Indian artifacts, and Renaissance inventions hang in the front, illustrating Jefferson's love for learning. The large self-built clock above the doorway tells time, days, months, and seasons. Jefferson's other inventions in the house include a dumbwaiter from the kitchen below in the cellar and double-paned glazing. The busts of Jefferson and his arch-enemy Alexander Hamilton are mirrored in the back room by the good vs. evil dichotomy of Marquis de Lafayette and Napoleon. (Tickets are ridiculously expensive, and the indoor tour is brief and uninformative.)

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Video: About Early American Architecture , Jefferson the Architect , Inside , Outside







7/29/11

Rotunda of the University of Virginia Library, UVA



Thomas Jefferson, author of the United States Declaration of Independence, designed the University of Virginia library in Charlottesville, along with much of the campus which still stands today. Jefferson laid out the college campus in 1819 inventively as a configuration of Academical Villages.

Each region of study received its own distinct pavilion in a Greek style courtyard, with inward facing living quarters and grand colonnades. The Lawn acts as a main axis that leads each quadrant to the central library. It rises gradually in altitude to reinforce the effect of hierarchy. The rotunda's prominent central position and likeness to ancient holy temples, he Roman Pantheon, marks an unquestionable new kind of academic style that introduces religious piety to the search for knowledge. Its counterpoint and integral use of nature projected a reverence for the environment.

This architectural meaning was to be a defining characteristic for America. Charles L'Enfant's layout of Washington D.C. followed the same sensibility, and civic structures across the land placed the same emphasis on academic knowledge and Palladian Classicism. A fanatical reader and researcher himself, Jefferson donated his book collection to the government to found the Library of Congress. Far from producing a secular nation, Jefferson left a legacy of spirituality from knowledge and reason, using the most effective artistic medium there is: Architecture.

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Video: Documentary









7/28/11

Results for the ArchMedium New York Theater City student Competition

ArchMedium.com announced the winnners of their “New York Theater City” International Architecture Competition for Students. The theater would revitalized new and small local theater in a city saturated with tourism and tired reruns. The contest proposal called for an "urban theatre campus where smaller companies can dispose of rehearsal spaces, and the new spectacles can show themselves to the world offering an always young, new and different cultural activity."

The site is a junkyard for deteriorating railroad cars, and happens to provide connections to important venues because the High Line connected to important local centers. The results took the urban scale down to the human scale and infused a great vibrancy of culture.

1st Prize- pH4 Studio (Junyoung Park, Joongha Park, Changbum Park, Changseok Han, Kwun Suehwan), Yeong Nam University Yeong Nam University

2nd Prize- Louise Scannell, University of Westminster University of Westminster

3rd Prize- A2GP (Guillem Pons Ros, Pau Villalonga Munar, Albert Serrallonga Sabas, Gerardo Perez de Amezaga), ETSAB ETSAB


Honorable Mentions:

Mega (Emily Koustae, Michalis Piroccas, Athanasios Yfantis, Grigorios Koutropoulos). University of Patras University of Patras


AM (Mercedes Nena, Ricardo Ariel Valley, Maria Florencia Dominguez). Universidad Nacional de Mendoza, Universidad Nacional de Cuyo Universidad Nacional de Mendoza, Universidad Nacional de Cuyo


Hung (Che-Hung Chien). National Cheng Kung University National Cheng Kung University


AD + (Andrea weakness, Morten Bulow, Antonio Atripaldi). Iaac / UPC IAAC / UPC


GO! (Sebastián Gril, Federico Ortiz). (Sebastian Gril, Federico Ortiz). Universidad Nacional de La Plata UNLP Universidad Nacional de La Plata UNLP

See all results at ArchMedium.com

7/27/11

Kröller-Müller Art Museum Hoge Veluwe Nature Park, Ede Netherlands


Henry van de Velde designed the original Kröller-Müller museum in 1938 and Wim Quist designed the 1961 exhibition wing art museum and sculpture garden for the Veluwe Nature Reserve in Otterlo, Gelderland Netherlands. The swampy, forested landscape blends softly with 75 acres of earthworks and large sculpture. The park is divided into areas by type of art and different details of landscape.

The Aldo van Eyck-paviljoen, Rietveld-paviljoen and other small structures transition this natural element to man-made technology. The sculptures become gradually more synthetic as one approaches the museum rear entrance. Floor to ceiling glazing makes the transition inside more gradual. Modernist brick walls at the front entrance complete this change from nature to synthetic. Minimal structure emphasizes art and environment.

Important works of art here include works by Vincent Van Gogh, Paul Signac, Georges Seurat, and Theo van Doesburg.

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7/26/11

How To Make Photos HDR In Photoshop: Easy Guide

Fraud Alert! Amazon Overcharging My Books!!

There is an Amazon seller "Origin Media" trying to pass off a copy my recent book Egyptian Rituals in the Wizard of Oz with a $133.60 markup. Amazon.com has so far failed to publish any of my books through Lulu like what was supposed to happen and instead has enabled dirty scalpers. This company Origin Media is hoping that a customer will accidentally click on the wrong seller and then have to fork over the money to them. They don't even have a copy of my book to sell!

I have never actually sold a copy of this particular book through Lulu. As I understand it, Amazon requires a vendor to have the book it is selling in stock, so Origin Media appears to be breaking its terms and conditions. This book seller intends to wait until you buy the book through them, then they will go and buy it for $15.95 and charge you $149.55, pocketing the $133.60 markup plus $3.99 handling!

Origin Media is run by a man named Byron Belitsos, a founder of a prominent 9/11 “Truther” organization. This dirty scheme speaks volumes about these fringe "journalist" truthers. For those of you who don’t know, “Truthers” are way-out political activists who claim that the 9/11 terrorist attacks were an “inside job” done by our own government.

Byron Belitsos is an author, editor, journalist, and book publisher as well as an experienced political activist and practicing mystic. He was an inaugural member of the board of 911truth.org and produced “9/11 Truth Convergence,” one of the first 9/11 conferences. He is the CEO of Origin Press, where he published Inside Job, by Jim Marrs….Byron has been politically active since 1969 in a variety of venues and contexts in the labor and socialist movements and most recently, in the world democracy movement; he is a board member of the Democratic World Federalists.
I am shocked that a reputable company like Amazon would behave this way. Other Lulu customers report the same problem. I recommend to everyone that you buy my books and calendars from Lulu.

P.S. I am still fixing errors in my Vitruvius: Ten Books on Architecture so hold off buying that!

7/23/11

Sculptures at the Smithsonian Museum of Art 2, Washington D.C.


Jean-Louis-Ernest Meissonier- (1815-1891) Horseman in a Storm, bronze, 1894, french


Lupa Capitolina, 5th century bc, Rome, bronze


Auguste Rodin- (1840-1917) La France, marble, 1904, bronze


Auguste Rodin- (1840-1917) Figure of a woman The Sphinx, marble, 1909, bronze


Giusto Le Court-Flemish- (1627-1679) A Venetian Ecclasiastic, marble


Auguste Rodin- (1840-1917) Katherine Seney Simson or Mrs. John W. Simpson, marble, 1905


William Rimmer- (1816-1879) Dyling Centaur, bronze, 1967, American

Marius Jean Antonin Mercie- (1845-1916) Glira Victis, bronze, 1879, FrenchThomas Crawford- (1814-1857) David Triumphant, bronze, 1846, American


Magni- The Reading Girl, 1862, Marble



Randolph Rogers- (1825-1892) Nydia, the Blind Girl of Pompeii, marble, 1860, American



Randolph Rogers- (1825-1892) Nydia, the Blind Girl of Pompeii, marble, 1860, American


Aime-Jules Dalou- Alphonse Legras, bronze, 1879, French


Auguste Rodin- (1840-1917) Victoria Sackville-West, plaster, 1914, french


Auguste Rodin- (1840-1917) The Thinker, bronze, french
Edgar Degas- (1834-1917) Study in the nude of the little dancer aged fourteen, wax palestine, 1917, french

Edgar Degas- (1834-1917) Little Dancer Aged Fourteen, 1813, french
Edgar Degas- (1834-1917) Pregnant Woman, wax pastilene, 1911, french--