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11/30/11

Louis Pierquin Center, Nancy France


Agence Brunet Saunier designed the Centre Louis Pierquin for UGECAM Northeast, a therapy and rehabilitation organization. It was completed in 2006 in Nancy's Stanislas - Meurthe quarter.

The multi-colored surfaces designate different characteristics to different levels. Pilasters raise the metal portion to allow pedestrian traffic through much of the ground level. This ground area is often painted black to let the green nature stand out. The result is a stimulating yet therapeutic design that carefully links important centers.

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11/26/11

Hotel de Région, Montpellier France


Ricardo Bofill designed the Regional Hall in Montpellier, France, completed in 1989. The Arc de Triumph is an obvious source for this monumental symbol. The classic arched icon is digitized into a gridded modern object, but Bofill cites Marne-la-Vallée's Theatrical Urban Complex as the main source for his interpretation of classical forms. Like an ancient theater seating, the towering architecture surrounds the courtyard, and a four-columned pavilion stands in the center. The same framed view, with ancient structure mixed with modern materials, can be seen in this Regional hall. It is larger than life, a "disturbing collosalism," the "new Corinthian Order." He breaks from a set architectural language in order to make mass-production possible.

Jean Nouvel recently drew from this design and turned it to a Constructivist direction for the city's new Hôtel de ville de Montpellier.

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11/22/11

Uniqa Tower, Vienna Austria


Neumann + Partner designed the Uniqua Insurance Company headquarters in Wien, Austria, completed in 2006. Mader Stublic Wiermann provided artistic content and Lichtkunstlicht designed the lighting. LED modules were placed in vertical stips between the double-layered glass and they flash photographic patterns during the nighttime. Eckelt Glas constructed the complex glazed facades. The 182,000 lights make it an enormous screen.

It towers to 246.06 ft at 22 floors, yet a third of the energy used is created with local geothermal heating and heat pump methods. It is one of the largest skyscrapers to be rated GreenBuilding, and the first in Austria. The building opened in 2006 at the height of the most recent economic boom. Uniqa's stock skyrocketed and then plummeted upon the building's completion.

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Study: Entering Rooms Causes Memory Loss

A new study from the University of Notre Dame finds that the human mind compartmentalizes memories according to rooms and different spaces. The passage through doorways causes a lapse in memory as the brain tries to adjust to a new series of memories and episodes:
“Entering or exiting through a doorway serves as an ‘event boundary’ in the mind, which separates episodes of activity and files them away,” Radvansky explains.

“Recalling the decision or activity that was made in a different room is difficult because it has been compartmentalized.”...

Radvansky found that the subjects forgot more after walking through a doorway compared to moving the same distance across a room, suggesting that the doorway or “event boundary” impedes one’s ability to retrieve thoughts or decisions made in a different room." (newsinfo.nd.edu)

The significance of doorways was understood by Egyptians, Greeks and other ancient cultures. Vitrivius laid down specific modular forms for doorways, according to the proportion and architectural style of spaces. The function of spaces further influenced the doorway apertures. Passage through the arch of triumph meant a new page in Rome's history. The compartmentalization of memories was used to separate activities, but also to map out the collective human experience in the building. It was a means of making the building a model of the human mind.

Religious structure of Egyptian temples placed heavy importance on doorways, as they symbolized the passing of one spiritual state to another. The solstice sun shone on Abu Simbel's inmost sanctuary to symbolize the glorification of Pharoah. Passage under the lintels into a new concentric circle at Stonehenge similarly meant a change.

As architects program spaces and consider the circulation between functional spaces, it is vital for them to holistically consider the meaning of passage between these spaces. Children, who as of yet are not programmed to think of spaces as separate functions, will always choose the path that is more interesting. Ever wonder why a child will choose to trample through the leaves rather than walk on the sidewalk? The individual spaces are fairly easy to make sense of, but the challenge is to tie everything together. Architecture can help map out the individual events of life and make sense of everything as a unified whole. It is innate human nature to seek the more interesting path. The passage between spaces should be the greatest event in the building- yet it rarely is. The doorway should be the greatest contradiction and complexity- yet when is that ever the case?

11/21/11

Montpellier City Hall, Montpellier France


Jean Nouvel designed the new Hôtel de ville de Montpellier in the city's Port Marianne. Inspiration for the unique form came from the previous town hall, the Hotel de Région, which was loosely based on the Arc de Triumph. Another city hall in 1975, the hotel Belleval, became a simple high-rise of gridded windows. The Regional Hall attempted to digitize the classic Arc de Triumph icon into a gridded modern object, and this was pushed further by Nouvel, resulting in a profound and complex structure. The surrounding site is still unfinished.

The same pragmatic integration of systems can be seen in the Caltrans L.A., but the mimicry of digital successfully steers the Montpelier to a Tretris-like world of shifting blocks. This kind of thing rarely turns out well. But this project sets a new standard for modern architecture. Subtle shifts of color from green to blue create a striking gradient, punctuated by serrated, translucent, and reflective materials. Voids of gaping spaces render a 3-dimensional maze. The lighting could have come straight out of the movie Tron, and oversized murals adorn some ceilings.

The result is a Constructivist style pushed into a new millennium, where digital methods assemble the building. Sustainability is strangely suggested in the grand urban complex, with the Lez riverside and park site integrated into the civic and residential buildings. Nature is carefully controlled and stacked into a modern hanging gardens with the city hall solemnly in the center. It rises 134 ft and was recently completed in 2011.

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11/19/11

Firenze Santa Maria Novella Station, Florence Italy


The Gruppo Toscano (Tuscan Group), including Giovanni Michelucci and Italo Gamberini, designed the Florence train station. Though these architects were Futurists, the railway station is decidedly Fascist, with a floor-plan inspired by a bundle of sticks, the very symbol of Fascism.

The universal dynamism and bare-boned structure of Futurist architecture can be seen. The basic elements of the station's function and structure were abstracted to the essential and then treated as a machine. Great grids of skylights lead the passenger to the platform, where open-aired slits stand above the waiting train. It is as bare as a factory yet sculpted carefully for each space's function.

Fascism is more to be seen on the exterior, with a sand colored brick that strips all ornament and gratuity. It ignores all context and precedence in an effort to be relevant to the now and unite all classes of people. It is a vigorous style which conforms to all people and cultures, yet imposes a dominant authoritative dogma. The Novella Station is the essential link between optimistic Futurism and destructive Fascism. Today's schemes are just as optimistic, and considering the social unrest of today, could turn out just the same!

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11/18/11

Uto Elementary School, Kumamoto Japan


Kazuhiro Kojima+Kazuko Akamatsu / CAt designed the Uto Primary School 宇土小学校 in Kumamoto, Japan. It was completed in 2011.

The overall scheme appears like a Californian apartment building, with raised walkways that criss-cross to stacked units. Green courtyards of trees and grass fill between. Glazing is carefully placed in the walls with clerestory and full ribbon windows. The classrooms are divided with small stilted walls that allow more interaction between spaces. The steel structure is evident to be seen from the inside and outside. It is a solid design that celebrates the structure and influences a clean, interactive, and happy learning environment.









11/17/11

Semper Opera House, Dresden Germany


Gottfried Semper designed the Semperoper in 1841 for the Saxon State Opera, and it was rebuilt in 1878 by his son Manfred Semper following a fire. It was reconstructed again in 1985 after being firebombed by Americans in the second World War.

Semper's democratic ideals can be seen in the design of this building, ideals which earned him expulsion from the kingdom after the failed May uprising. His Neo-Renaissance style included artistic portrayals of great thinkers, but invited the public to sit evenly on the terraced seating. The exterior encourages this circular plan and steps up in three steps toward the stage. The result is a spectacular view from any seat, as opposed to the Paris Opera, and a clear explanation by the exterior of what the structure is doing inside.

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